Friday, September 18, 2009

Thoughts on new Porcupine Tree and Megadeth

Here are some of my initial thoughts on the new releases from Porcupine Tree and Megadeth:










Porcupine Tree - The Incident

I'd give this 8.5 out of 10

I have been a fan of this band since hearing their 2002 release "In Absentia". I've had the pleasure of seeing the band twice, and they are amazing. Main songwriter and frontman Steven Wilson has not only released a fantastic solo album in 2008, but also continue to work with numerous other bands and projects. I was a bit skeptical about how good this new Porcupine Tree would turn out, considering how busy Steven has been.

The first time through the disc was a bit of a disappointment. I had read it was going to be a concept album, but they have been doing some of that lately anyway. However, "The Incident" is much more of a layered piece, compared to past releases. The version I bought has two discs. Disc one is a continuous piece that is framed as "The Incident". This entire disc lacks a typical "song" structure that I expected, but has more of a "story" flow to it. Sections flow together, and some tracks are just over a minute, while others are over 11 minutes. Their previous "Fear of A Blank Planet" featured longer songs, but they seemed more structured. So, this has taken me some time to get comfortable with, but after a few days, I can now say it's very good and fits with their past work. Disc 2 features a selection of individual songs from the same recording sessions. However, these supposedly did not fit within the "Incident" story. These tracks are good, but do need to be taken separately. The entire disc 1 comes across a tad more "down tempo" than I expected, but they mix up things pretty good during the 50 minutes.

I would say this is a release that simply takes a few listens and time to get familiar with it. Steven and the band have created a project that both catches me off guard, while also finding enough familiar ground to keep me connected. I like that they were able to find that middle ground, and challenge my expectations. It's an impressive release, and will probably continue to grow on me.











Megadeth - Endgame

I'd give it 9.75 out of 10

For most of us, Megadeth hit their peak with "Rust In Peace". The couple following releases were good, but the band continued to lose momentum. In recent years, band founder Dave Mustaine has marketed each new release as a return to the "Rust In Peace" sound. However, in my opinion, he fell short. Until now.

This is the Megadeth release most of us have been waiting for. With almost an entirely new band (nobody left from the "Rust In Peace" days), Mustaine and company finally correct the recent past shortcomings. "Endgame" opens up with a brief instrumental piece called "Dialectic Chaos". This is basically a 2 minute old school thrash piece, with some great solos. This certainly takes you back to the early days with Marty Friedman. Finally, I don't find myself missing Marty. Afterward, we get into ten more classic Megadeth compositions.

Mustaine has managed to recapture his snarling vocals, and also brought back all the elements that fans have been looking for. Few ballads and no more of the "modern" sounds, help lift this new release to almost classic status. The drums are pummeling, the guitars are crunchy, the solos are amazing, and the songs are fantastic.

My only reasons for not giving it a 10 rating is that Vic Rattlehead is missing from the cover, AND I still wish Marty Friedman was still around. I realize those are minor issues, when compared against how well this release delivers on the expectations. Oh, and this is WAY better than the latest Metallica, as good as that one is.

If you've been waiting for the proper follow-up to "Rust In Peace"/"Countdown To Extinction" era Megadeth, this is for you.

Tuesday, September 15, 2009

U2 - Soldier Field, Chicago, Sept 13, 2009

U2 - Soldier Field, Chicago, September 13, 2009











As many of my friends will tell you, I have often sworn off of going to concerts at football stadiums. Not only are the venues beyond huge for a musical performance, but the huge crowds also tend to lend themselves to various frustrations. So, when I first heard about U2 kicking off their North American 2009 "360" tour at Chicago's Soldier Field, I said "no thanks".

However, my wife was being sent to McCormick Place for a trade show that her employer was having a booth displayed. She was going to be working at the booth from Friday thru Monday. She was looking for something to do for the weekend, and came up with the idea of trying to see U2 on Sunday night. It turns out that Soldier Field is within walking distance of McCormick Place, so I said maybe I'd come along. She asked if I could find some tickets. We found a guy on CraigsList who was in Grand Rapids, but had two spare tickets for Sunday night. He had bought four, and could only use two. He was letting me have the other two at face value. So, we took the chance, got the tickets, and had a surprisingly good time.

We walked over to the stadium, from the Hyatt hotel. I waited until we got into the actual venue before pursuing some souvenirs. In 2005, we remembered getting U2 tour shirts that ended up being "form fitting". So, I had my wife help me come up with a choice that hopefully is a bit more "loose' fitting. They had a nice "Soldier Field" specific shirt, but those were mostly sold out by the time I got to a vendor (I checked about 4 different tables). So, I settled on a shirt and a program. I chose to use a credit card, and their "wireless" systems were running very slow. Turns out that some of the stage technical gear was causing problems with other systems around the stadium. I'm sure it had something to do with BlackBerry sponsoring the showing - LOL.

The "360" tour features a custom "spaceship" stage, with a 360 degree minimally obstructed view of the band. There is also a 360 degree video screen that would descend and ascend as needed. Check around the internet for details, but the story we see says this contraption takes 2 days to put up. To say massive is an understatement. Yup, it's a bit much for 4 guys playing music on stage.

Opening band "Snow Patrol" kicked things off right around 7:15pm (local time). They played about 40 minutes of very U2 influenced pop (think a more bouncy Coldplay). They were OK.

Around 8:30 local time, the lights went down, and David Bowie's "Space Oddity" started playing. After the first verse, a separate ambient track came in, and the band emerged from a back stage entrance. They individually walked up some stage stairs, with drummer Larry Mullen being the first on stage. Edge, Bono, and Adam followed, and the band kicked into songs from their new CD. Sorry, I can't remember the song titles. Check here for setlists

The band played a little over 2 hours. There were plenty of songs off the new CD, and they seemed to be picking other "obscure" tunes. We still got staples like "With or Without You", "Where the Street Have No Name", "Vertigo", "Beautiful Day", "Sunday Bloody Sunday", etc. But we also got treated to "Until The End Of The World", and a nice acoustic version of "Amazing Grace". What we didn't get was "Pride (In The Name of Love)".

Edge seemed a bit more animated that I remember him being in 2005. Bono seemed to get the most enjoyment out of being close to the audience around the stage perimeter. Adam is adequate, and does what he is supposed to (the luckiest average bass player on the planet). Larry actually impressed with his consistent drumming all night long. All four worked well as a single unit.

The stage is amazing, and they must have an entire I/T department to keep the thing running. It's a technical marvel, not unlike some of the best ideas Genesis has had in the past. And each band member did make at least one complete trip around the entire outer circle.

In general, I'd say the show wasn't quite as "energetic" as the 2005 show we saw in Detroit. This year's setlist didn't seem to pack the same punch, but the band was more interactive.

The attendance numbers have indicated there were around 65,000 people there. For that huge of a crowd, U2 still managed to make it feel like a much smaller venue. Bono truly tried to connect with the audience.

I'd say it was worth the trip, but I'm not sure I'll be endorsing the football stadium concert idea yet. It's still something very few bands can pull off. U2 is a rare group in the regard.

Keep in mind that U2 is coming up on 30 years since their first CD, and it still is the same four guys. Not bad, if you ask me. They seem to continue to evolve and yet maintain their own style. I don't mind calling myself a fan.

One point of note: This is the second time my wife and I have gone to Chicago to see a band that was not making a stop in Detroit. Chicago is becoming the town to see the "special" shows. Sorry Detroit.

Thanks to Scott for setting us up with the tickets.