Wednesday, April 11, 2012

Blue Like Jazz movie opening this weekend



Blue Like Jazz – See it this Friday or Saturday (April 13 or 14)

This Friday, the movie version of the book “Blue Like Jazz” opens in limited movie theaters across the country.   In order to expand the release of the film, there needs to be a good public support for the film on Friday and Saturday (April 13 and 14).   The ticket sales are reviewed late in the weekend, to determine if there will be any continuing of the film or expanding distribution.    So, if you want to see this film succeed, get to a theater and buy a ticket on Friday or Saturday.    The producers/directors very much need the support.    Oh, and not to mention, my name turns up in the scrolling list of over 4000 “Associate Producers” during the closing credits – this has been one of the largest “Kickstarter funded” film projects ever.    This movie was made by Christians and has a story revolving around faith, but is also primarily set at liberal Reed College.    Due to capturing some of the Reed College environment, the film ends up with a PG-13 rating (due to some language and situations – no nudity).     This is different from the typical Christian film, and probably won’t get much support from the general church community – the rest of us need to support this type of film making.

For various info and movie trailers, check http://bluelikejazzthemovie.com/

Here’s a decent review of the movie:
 
 
The film will be showing in Grand Rapids and Grandville Michigan, as well as other cities across the country. 

I did get a chance to see a preview of this film last month (March), and enjoyed it.   I think the film is fair with the treatment of college life, and isn’t too harsh for the typical adult (we aren’t talking about any crude “R” rated humor or anything like that).    I think the story appeals to any “thinking person” who is simply trying to live a better life, while not relying solely on “safe” topics or situations.    This movie should appeal to both Christians and non-Christians, but I bet the non-Christians will enjoy it more.

Now, onto a bit more about Blue Like Jazz, and why I am an “Associate Producer” on the film.

Donald Miller’s semi-autobiographical book “Blue Like Jazz” was originally published in 2003.    Somewhere in my trolling of the internet, a favorite website posted some samples from the book.   I read them and was curious about the rest of the book.   I didn’t buy a copy yet, but next saw a local church study group was using the book for discussion, creating more curiosity on my part.    I eventually got my hands on a copy, and found the book quite refreshing in perspective.   

In brief, the book is about Don Miller getting frustrated with typical Christianity.     Don ends up taking work as an auditor of classes at Reed College, noted as one of most liberal places in the USA.    In his efforts to escape frustration with the God he had been taught, Don ends up connecting with other Christians who are more sincere with their struggles and failures.    Don ends up reevaluating his faith, and finds a deeper connection with God with being more honest and open with people.      

For me, the book was a definite help with reflecting on the issues many non-Christians have with the Christianity that is typically marketed to the public.    Had I not already been aware of the failure of man in representing the God of the bible, I would be reluctant to follow what is presented as the “good Christian”.    Blue Like Jazz simply opens a discussion that the God of the bible is so much better than any feeble attempts we make to represent him to the world, and how to deal with some of the mistakes we make as Christians in our self-absorbed culture.

Having connected with the writings of Don Miller, I was encouraged when I first read about the book being turned into a movie.     Around 2009, I found a website for the film, and they offered an “Associate Producer” credit for those interested in help sponsoring the film.    One of my favorite musicians/film directors Steve Taylor had signed on to help write and direct the film.   I signed up as a sponsor, and occasionally got updates or mailings about the film.    In the fall of 2009, Don wrote a book called “A Million Miles in a Thousand Years” which somewhat chronicled the process of turning his book into a story for film.     There were changes to the story, like the character of Don being presented in the movie as a student at the college, rather than class auditor.  However, just before production was to begin on the film, their main investors pulled out of funding the film.   Having no other choice, production was cancelled.   Don sent out a blog about it, and a couple readers asked about starting a Kickstarter campaign to publicly raise funds.    Offering various rewards and levels of sponsorship, they were able to raise over $345,000 for the production.   Having previously sponsored the film, I was somewhat content having already done my part.    But, I also was interested in doing more to help raise money for the production, so I donated to again get the “Associate Producer” credits.      By the end of the campaign, they had over 4000 “Associate Producers” to credit.   In the film, the end credits have the “typical” credits in center screen, while the “Associate Producers” are scrolling to the right, alphabetically by first name (so I don’t come up until the T’s).

In the past few months, the film has gotten ramped up for the push to release.   The movie was shown at the SXSW Festival, and received numerous good reviews.    There was a tour throughout the country in March, to preview the film to sponsors and ministry leaders.   Now, with the general limited release starting this weekend, the time has come to see if the public will come out and support the film or not.   With a limited marketing budget, they have counted on the rest of us to get the word out.

My opinion is that this film has been a great representation of Christian independent film.    It isn’t a movie that is sponsored by any church or denomination, but has been primarily funded by individuals looking to get the story on the big screen.    However, because it is an independent film, it is very hard to convince movie theaters to expand showings – there needs to be public support.

So, get out this weekend (Friday or Saturday) and buy a ticket for the film “Blue Like Jazz” – even if you can’t go to the showing, buy a ticket online – it will still count as a sale, whether you show up or not.

Wednesday, July 13, 2011

Cornerstone 2011 Review

I posted a full review of our couple days at Cornerstone Festival 2011 - Trouble is, I posted it to my concert review blog.    To see the post, click the link below:

Link to Cornerstone 2011 Review

enjoy

Wednesday, June 22, 2011

Book Review: "Quitter" from Jon Acuff


I recently completed reading Jon Acuff's "Quitter" and thought I'd post my review.

If you have ever pondered the balance between doing "what you love" and doing "what makes money", Jon Acuff's new book "Quitter" is for you.    This is not your typical "find what you love and the money will follow" motivational book.    This is more based in the "real world" and doesn't promise to solve all your employment problems.  

I first heard of Jon Acuff via his "Stuff Christians Like" blog and book.    His satirical look at the various hang-ups found in popular Christian culture definitely amused me.   Within a year or so after reading his first book, I started hearing about Jon joining Dave Ramsey's Financial Peace team.    With the encouragement of his new teammates, Jon brings us a story of his journey through various employment and frustrations.

Jon introduces us to his numerous past jobs, while painting a picture of his desire to balance income with passion.    Although he had achieved a certain level of success financially and had a reasonably secure employer, Jon struggled with spending his weekends pursuing his true passions.    There is plenty of warning regarding proper balance, and not just throwing caution to the wind, especially when needing to support a wife and family.     What I found most refreshing with "Quitter" is Jon's frequently comments on how a "day" job can help providing funding to start practicing or investigating your "dream job".    Jon encourages you not to simply quit without a plan or any experience.    Jon offers many great thoughts and exercises for helping build your confidence and talents in your "dream job", while keeping yourself financially solvent with the "day job".    "Quitter" also offers some great thoughts on how to find additional time to work on your "dream".

Another part I enjoyed about "Quitter", is the final couple chapters.   Jon doesn't end the book stating how everything worked out great and everyone lived happily ever after.   "Quitter" does cover some of the mistakes that could have been avoided, when he made the move to his "dream job".    If not handled carefully and thought through, chasing the "dream job" can easily turn into a nightmare.

I highly recommend this book to just about everyone I know.    There truly is something here for everyone living life today, as most of us aren't able to just quit our day jobs without a plan.    "Quitter" not only helps map out a plan to evaluate where you are today, but also how to consider any possible opportunities to chase your "dream job".      Go buy a copy today, and see for yourself.

Free sample chapter and more info at http://www.quitterbook.com/

Tuesday, June 21, 2011

Studio Updates

I recently got my hands on a new preamp designed specifically for transferring vinyl to the computer, for remastering and CD burning.     The unit is the ART USB Phono preamp.   Here's a photo:



What I've found very helpful, is that the unit easily allows me to get good volume levels.   Prior to this unit, my other preamps would frequently either distort or not have volume levels even close to other professional projects.    Although this may not be an issue you would normally think about, it would become a headache when trying to add these low volume tracks to a play list.    So, getting output that is at least "in the ballpark" with all other commercially marketed music, is helping.    Note of caution:  If you are using Windows 7, be sure to follow the setup directions on the ART site, for getting input/output settings correctly dialed in.


Pro Tools Software—Advanced Music/Audio Production

I recently updated Pro Tools 9, to the latest update of 9.0.3.    No significant changes, but many minor tweaks to help various issues.    I've got a low end digital drum kit talking to Pro Tools 9 via MIDI, and am able to use the digital kit to trigger voices within virtual drummer software Strike and Superior Drummer.    This has proven very helpful with drum tracking, as I can tweak the mix after the fact.    There are some limitations, but the benefits far out weigh any fixes needed.   




Finally, I've gotten started applying some of my learning for Adobe Dreamweaver.    At this point, I have the CS4 version (current is CS 5.5), but I've been slow in actually starting to use the software.   I've jumped into a couple of sites, and am getting the hang of it.    For now, my best shot has been with the site for my church - www.meadowspringschurch.org.    It's not all done yet, but does work and I like the clean layout.   I've also gotten a VERY basic site up at www.timhamm.com, and will be adding more info that that site soon.    I've moved most of my sites over to a new hosting service (www.bluehost.com), and am also learning more about various hosting settings.   Not all fun, but is good to learn some of the skills I've been studying for years.

That is all for now.

Thursday, June 09, 2011

Coming Back in 2011

Hey all,

I'm back!!  I'm working to improve some of my updates, and this is one place that is in need of serious attention.     So, that is what it is going to get.

Updates or various news info coming soon.

Tim

Wednesday, December 23, 2009

2010 - Change is coming

Hey all,

Yup, I dropped off this blog thing for a few months. Sorry.

Anyway, as 2009 comes to a close, I look to 2010 for some changes in my schedule and activities. It's been a fun year of performing with various bands, but there needs to be some reduction in projects. Not only do I want to put in more time with my home studio and music, I also need to have more free time to just relax. So, there will be some changes, but I'm not announcing anything quite yet.

It also looks like 2010 will be an exciting year for progressive music tours. Prog super group Transatlantic is going on a brief tour of the USA in April, and I'll be at the Chicago show with good friend Adam Talley. In June, UK celtic/progressive group Iona will be returning to the USA shores for a brief tour. They are kicking things off at Nearfest in PA, and closing the tour with a show at Cornerstone Festival in IL. The band is working on dates to fill in the two weeks between these dates, and I'm hoping they get a bit closer. However, Nearfest also has Steve Hackett (ex-Genesis guitarist) performing, so that has my attention.

In general, I'm hoping to do a better job keeping sites updated, and just enjoy what I have. I've had my fill of trying to do everything I can.

Happy Christmas - Merry New Year - and thanks for reading.

Tim

Friday, September 18, 2009

Thoughts on new Porcupine Tree and Megadeth

Here are some of my initial thoughts on the new releases from Porcupine Tree and Megadeth:










Porcupine Tree - The Incident

I'd give this 8.5 out of 10

I have been a fan of this band since hearing their 2002 release "In Absentia". I've had the pleasure of seeing the band twice, and they are amazing. Main songwriter and frontman Steven Wilson has not only released a fantastic solo album in 2008, but also continue to work with numerous other bands and projects. I was a bit skeptical about how good this new Porcupine Tree would turn out, considering how busy Steven has been.

The first time through the disc was a bit of a disappointment. I had read it was going to be a concept album, but they have been doing some of that lately anyway. However, "The Incident" is much more of a layered piece, compared to past releases. The version I bought has two discs. Disc one is a continuous piece that is framed as "The Incident". This entire disc lacks a typical "song" structure that I expected, but has more of a "story" flow to it. Sections flow together, and some tracks are just over a minute, while others are over 11 minutes. Their previous "Fear of A Blank Planet" featured longer songs, but they seemed more structured. So, this has taken me some time to get comfortable with, but after a few days, I can now say it's very good and fits with their past work. Disc 2 features a selection of individual songs from the same recording sessions. However, these supposedly did not fit within the "Incident" story. These tracks are good, but do need to be taken separately. The entire disc 1 comes across a tad more "down tempo" than I expected, but they mix up things pretty good during the 50 minutes.

I would say this is a release that simply takes a few listens and time to get familiar with it. Steven and the band have created a project that both catches me off guard, while also finding enough familiar ground to keep me connected. I like that they were able to find that middle ground, and challenge my expectations. It's an impressive release, and will probably continue to grow on me.











Megadeth - Endgame

I'd give it 9.75 out of 10

For most of us, Megadeth hit their peak with "Rust In Peace". The couple following releases were good, but the band continued to lose momentum. In recent years, band founder Dave Mustaine has marketed each new release as a return to the "Rust In Peace" sound. However, in my opinion, he fell short. Until now.

This is the Megadeth release most of us have been waiting for. With almost an entirely new band (nobody left from the "Rust In Peace" days), Mustaine and company finally correct the recent past shortcomings. "Endgame" opens up with a brief instrumental piece called "Dialectic Chaos". This is basically a 2 minute old school thrash piece, with some great solos. This certainly takes you back to the early days with Marty Friedman. Finally, I don't find myself missing Marty. Afterward, we get into ten more classic Megadeth compositions.

Mustaine has managed to recapture his snarling vocals, and also brought back all the elements that fans have been looking for. Few ballads and no more of the "modern" sounds, help lift this new release to almost classic status. The drums are pummeling, the guitars are crunchy, the solos are amazing, and the songs are fantastic.

My only reasons for not giving it a 10 rating is that Vic Rattlehead is missing from the cover, AND I still wish Marty Friedman was still around. I realize those are minor issues, when compared against how well this release delivers on the expectations. Oh, and this is WAY better than the latest Metallica, as good as that one is.

If you've been waiting for the proper follow-up to "Rust In Peace"/"Countdown To Extinction" era Megadeth, this is for you.